In my studio and workshops, I create the challenge of staying loose by painting quickly, yet purposefully . . . . I work on six [canvases] at a time. After two “passes” of laying down color and shapes, I will come back in and add sketchy detail.
Thanks to YouTube, we can watch him in action!
I have heard tell that Bob is a real Party Animal, and he has produced a print that is worth a few guffaws! You may want to purchase one for your own celebratory beast–we both know who I am talking about.
Bob’s description of experimenting with mixed media (he calls it combined media) is like a mini workshop on a post:
I started out just goofing around on 300 lb watercolor paper with gesso – building up thick layers, then scratching, scraping and imprinting shapes and patterns in the gesso before it dried. Then I painted with acrylics – building up layers of patina and also rubbing out areas, scratching thru the layers to reveal color “surprises.” All the while, imbedding collage graphics and drawing back in with Derwent watersoluable pencils (my favorite is Black, 8B) while the painting was still wet.
After I was satisfied with the result, I glued the paper to a 12 x 12 canvas. The paper is slightly smaller so there is a 1/4″ border all the way around the paper.
Before I adhered the paper to the canvas, I painted the outside edges of the canvas purple – also painted a 1/4″ border. The glue I used to adhere paper to canvas was Gel Medium. After letting dry (with weight on top) for a day or two, I varnished the entire piece.
Some of Burridge’s workshop attendees demonstrate wonderful results: Nancy Standlee is a case in point. I enjoyed my morning tea while exploring Nancy’s blog, and her website, where I discovered her wonderful LYLAS paintings.
If Nancy recommends Robert Burridge, you can count on it being a statistically good choice. After all, Nancy was a librarian (Kellie, I’ve found another one for our club!) and she is trained to research her subjects well.